Visuals that hold attention.

Commercials, music videos and event coverage for brands, artists and agencies in Skopje and across North Macedonia.

  • Brand videos
  • Commercials
  • Events
  • Music videos
  • Slow motion
  • Colour grading
  • Editing

Recent projects.

All of the vertical work. The landscape pieces, including the music videos, are on the full slate.

1:21

Real estate Diamond apartments

Commercial

1:02

Vega ad

Commercial

0:59

UNIBank x FWSK 2026

Event

1:29

FWSK showreel 2025

Event

1:12

Paradice After Movie

Event

0:38

FWSK Italian day 2024

Event

0:31

FWSK catwalk impressions 2025

Event

1:01

FWSK Interview 2026

Event

0:18

FWSK catwalk impression 2026

Event

Stills.

Photography shot alongside the video work. Drag to move through them, click one to open it full screen.

Concrete facade in hard light, Budapest
A single skier crossing an open slope
Basilica above the rooftops at dusk
Night sky over a treeline
Two skiers seen from above
Golden eagle on a falconer's glove
Bear behind a wire fence
Turret against a bank of cloud

My creative process.

Plan

We agree what the video has to do before anyone books a camera. You get a treatment, a shot list, a schedule and a fixed quote. No line items appear later. da da

  • Treatment and moodboard
  • Shot list and schedule
  • Fixed quote, signed

Shoot

Fujifilm body, 4K log, and a Ronin RS3 for anything that moves. Log keeps the grade open rather than baked in, and slow motion is there for the shots that earn it.

  • Fujifilm, 4K log
  • Ronin RS3 for moving shots
  • Slow motion where it serves the cut

Edit

This is the part I am best at, and the part that decides whether the video works. First cut inside ten working days, then three rounds of revisions, all inside the quoted price.

  • Grade, sound mix, titles
  • Three revisions, no extra cost
  • Vertical and square cutdowns
Viktor Stojkov

Who you areworking with.

I am an editor first. Footage is raw material, and what decides whether a video holds someone is the order, the pacing and the cut. That is where most of my time goes, and it is what you are really hiring me for.

I shoot as well, on a Fujifilm body in 4K log with a Ronin RS3, which covers most jobs without anyone else on set. On bigger shoots I bring in an operator and stay on the cut, because that is where the budget does the most work.

Camera
Fujifilm, 4K log
Movement
DJI Ronin RS3
Revisions
Three, inside the quoted price
Delivery
Master plus vertical and square cutdowns
Start a project

Tell me aboutthe project.

Send a few lines about what you need and when you need it. You get a reply within two working days, and the quote includes three rounds of revisions.

What the video is for, roughly when, and where it will run.